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If you know of any event which could be of interest to our chapter members,
please email the information or a link to Ray Nichols.

It is worth noting that trying to keep up with exhibitions of interest to our chapter members is difficult at best, so be sure to check with appropriate websites for current dates, times and visiting.


Scheduled APHA &

Chesapeake Chapter events


This is a meeting Washington Area Group for Print Culture Studies

Washington Area Group for Print Culture Studies

Woodrow Wilson Room (LJ-113) / Jefferson Building / Library of Congress

Friday, February 3, 2012, 3:30 - 5:00 pm

Casey Smith speaking on “Advertising as Everyday Spectacle: Thomas J. Barratt, Pears’ Soap, and the Revival of Print”

In the last decades of the 19th century, the firm A. & F. Pears innovated marketing techniques that earned its co-director, TJ Barratt, the reputation as “the father of modern advertising.” Barratt exploited every opportunity to get the words ‘Pears’ Soap’ out into the world, and as he did so the firm’s revenues increased. The visual horizon of a typical Londoner during these years was awash in ads for Pears’ Soap in newspapers, journals, penny novels, painted murals, signs, posters, handbills, and other printed ephemera. This material, and printed ephemera in general, remains largely neglected in studies of the period. A close examination of Pears’ advertisements reveals direct and deliberate engagement with the political, artistic, and literary trends of the time. This presentation argues that the ‘Revival of Print’ at the end of the 19th century can be seen in the jobbing printing of advertisements, handbills, and leaflets that operated outside the economies of book production. As Jerome McGann and others have argued, the ‘Revival of Print’ is an early chapter in the development of historical Modernism. The study of the printed ephemera commissioned by A. & F. Pears in the 1880s and 1890s reveals a particularly rich history at the intersection of art and commerce. Some of the figures in this history include: John Everett Millais, Marie Corelli, William Gladstone, Andrew Tuer, Jerome K. Jerome, Mark Twain, Lilly Langtry, Walter Crane, Beatrix Potter, Wyndham Lewis, and James Joyce. The presentation will be amply illustrated with images from the collections of the Library of Congress, the Bodleian Library (via the John Johnson Archive), and other sources.

The Jefferson Building is located between First and Second Streets, SE in the District of Columbia. Nearest metro stops are Capitol South (blue and orange lines) and Union Station (red line).

For further information, consult the Washington Area Group for Print Culture Studies website at http://wagpcs.wordpress.com/, or contact Sabrina Baron and Eleanor Shevlin at washagpcs "AT" umd.edu.

For their encouragement and support, the Washington Area Group for Print Culture Studies would like to thank Dr. Carolyn T. Brown, director, and Elizabeth Gettins of the Office of Scholarly Programs, Kluge Center, Library of Congress as well as John Y. Cole, director of the Center for the Book in the Library of Congress.


Oak Knoll Fest XVII

New Castle, Delaware

Friday - Sunday, October 5 - 7, 2012

Oak Knoll Fest is a gathering of fine press printers (typically about 40) who display their wares along with talks typically on Friday evening, Saturday and Sunday morning.

A group of Chespeake chapter members always get together for lunch on "The Green."

There will be options to carpool.

Also expect the opportunity to stop by Lead Graffiti in Newark, Delaware, on your way back.

 


OTHER CURRENT OR UPCOMING EVENTS

of printing history interest

chronological by ending date


Athenaeum of Philadelphia | website

219 S. 6th Street Philadelphia, PA

through March 9, 2012

The Decorated Book: Continuing A Tradition

The Athenaeum of Philadelphia presents an exhibition of contemporary book arts produced in response to the Athenaeum’s collections of decorated book covers by Margaret Armstrong, the Decorative Designers Studio, Alice Morse, Olive Lothrop Grover, and Frank Berkeley Smith. See the work of contemporary artists Libby Barrett/Jeff Raymond, Leslie Farber, Karen Hanmer, Marilyn MacGregor, John Magnan, Nancy Nitzberg, Claire Owen, Johanne Renbeck, and Lynn Skordal.


Smithsonian Institution / National Museum of American History | website

Civil War Field Printing (online exhibition)

Artifact walls was an exhibition (now closed, but available online), consisted of 275 linear feet of glass-fronted cases lining the first and second floor center core, highlighting the depth and breadth of the collections and convey that the Museum collects, studies and exhibits objects from our nation's rich and diverse history.

The original exhibition was curated by Joan Boudreau, Curator, Graphic Arts Collection at the Smithsonian Institution, and Stan Nelson, who had done a great deal of research on the subject before he retired.

The ability to communicate quickly in wartime can profoundly affect military actions and outcomes. The invention of portable tabletop printing presses at the time of the American Civil War (1861-1865) allowed for better communication in the field. Portable presses were purchased by several Union and Confederate military units. They allowed for the rapid production and wide distribution of urgent orders, and also routine documents such as requisitions and entertaining material such as unit newsletters. Albert Adams’ New York cylinder press, the Cottage press, was advertised to the armed forces and to merchants. This press, along with at least three other similar inventions, became particularly popular during the War. The use of portable printing presses expanded after the War and a movement of amateur printers was born.

The virtual exhibition features: Three portable printing presses available during the Civil War, invented between 1856 and 1862, one type chest used by the Union Army of the Potomac, circa 1862, advertisements for the portable printing presses, distributed in New York, Boston and Cincinnati.


New York City / The Morgan Library & Museum | website

225 Madison Avenue at 36th Street

Highlights (ongoing exhibition)

Highlights from the Morgan's Collections presents masterworks from four of the Morgan's six collecting areas—medieval and Renaissance manuscripts, printed books and bindings, literary and historical manuscripts, and music manuscripts and books. This ongoing exhibition demonstrates the nature and scope of one of the world's greatest repositories of artistic, literary, musical, and historical works. Objects will change approximately every three months, to accommodate the exhibition of as wide an array as possible of the Morgan's vast and eclectic holdings. The exhibition includes objects that the Morgan's curators regard as especially outstanding, as well as representative of the collections' strengths. There will always be a sampling on display of the Morgan's oldest, rarest, and most valuable items.


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